Scrapers, Aggregators and sites like HuffPo get a lot of stick. I think we have to hold our noses and defend them. (I also think we probably have to stop holding our noses.)
Teaching is toast.
In which our hero finally gets something he thought he got before.
We're well into a post-pareto period of UI design. We need more command line interfaces. They would be a step forward, not back. We need more verbs, captain.
If you can use an emoticon, you can write Markdown.
Why I'm using Markdown and you should too.
Wadsworth all the Things! Responsive design and Mobile First are cool, but they don't go far enough. Coffee may have been involved in the construction of this post. Boiing!!!!
The Wadsworth Constant applies to everything. Not just YouTube videos. So we should be able to Wadsworth Everything!
A school can encourage kids to play (and get healthy) simply by painting lines on a playground. What might that mean for adults and at work?
The infrastructure that holds philosophy, and social stuff, and manuals for old typewriters is surprise.
Not firsting, but lasting.
I cant make those sums work for any variant of the way we live in the West: either were going to fix it through as-yet-unknown technologies, or were going to be the caboose, the last part of the human race to live in a sustainable way. Were the last, not the first, and we have to face the fact that our lack of sustainability is a crime and a shame . . .
via Boing Boing.
I don’t really buy all that let’s-all-become-smallholders stuff, if I’m honest. And I don’t even know what a caboose is. I say we take off into space and let the hippies have their planet back.
But it’s worth adding to your cognitive-bias armoury that for every ‘first’ there may well be a more important ‘last’ we’re missing, obscured by the shortness of our lives, our lack of history or something else for which we’re less blameless.
And vice versa.
I don’t follow them. That would probably be weird.
They’re flippin’ brilliant. A lot of them have sections titled ‘My GIFs’. Supporting gay marriage is a thing.
They do this thing where they say stuff like, “Reblog if you’re up to no good!”. And they send round these little questionnaires where they answer 20 questions about their favourite music and their star sign and shit like that.
Today I saw one that asked the question, “What was your first URL?”
My Tumblr is here. It’s called TL81, which is a bit rubbish.
I might have to rename it fuckyeahthallium or something.
The original piece from Clive James is about using brand names in poetry. So I’m taking it totally out of context.
It could be said that verve is the only thing that does travel. Perhaps we need a more expensive word for it. The word “rhythm” is overworked for something so hard to pin down, but at least it gives you the idea that vocabulary is not enough. The fresh words must lead to a phrase, and the phrase must have impetus, which must help to propel the line, and so on. Otherwise nothing is being built except a lexicon.
via Product Placement in Modern Poetry by Clive James.
Clive’s final paragraph includes this thought:
Evocation needs more than notation: it needs impetus.
It’s the impetus I’m interested in here.
PS Ben Hammersley was a late addition. And this shows. Bite me.
After WWII, Betjeman was often disparaged as a social throwback, and today, although his prominence is no longer seriously questioned, there is still a remarkable list of important anthologies which do not include any of his work. But at the time his fellow craftsmen knew that he was at least as up-to-date as they were. Geoffrey Grigson might have turned down Betjeman’s poems for New Verse, but Eliot wanted them for The Criterion. There would have been no doubt of Betjeman’s originality if he had taken Faber’s offer when it came. With Eliot in command of the editorial board, Faber already had the power of an establishment institution specifically equipped for deciding which new poets were modern enough to last. But . . . Betjeman stuck with the more fustian house of John Murray because, as a cultural conservationist dedicated to the preservation of a vanishing England, he didn’t want his books to look modern at all. He didn’t want a front cover showing nothing but a typeface: he wanted little drawings of herbaceous festoons and time-honored architectural doodads, like illustrations from Ruskin. He did, however, from within the neat boxes of his four-square stanzas, sound more modern than anybody.
And it’s true, I guess. Betjeman is closer, in my head, to Constable than Eliot. And they made him a knight of the realm? Overrated.
It’s odd to think that, between them, Faber and John Murray got to decide who’s modern, and who’s not. (As it is, in all probability, just as conveniently explanatory and easy to overstate.) Nevertheless, anybody old enough to know who they are will appreciate the truth of it.
Old white men used to be able to decide an awful lot. They’re not all men any more (although most of them are still white), but, as Ben Hammersely puts it, “the world is currently run by a generation whose upbringing has left them intellectually unable to be deal with modernity.”
The government, and the security industry, in this country and elsewhere, have spent the past ten years really blowing it. Time and time again there has been a demonstration of security theatre, or overreaction, or overstatement of the risks in hand. From liquids in airports to invading Iraq, no one believes this stuff any more.
While there is no doubt that religious extremism, whatever the religion, has presented a risk to life, that threat has been so overstated as to render any other warnings, on any other subject – including the one in hand today – completely impotent.
A world where Al-Qaeda can be described by the government as an existential threat to the UK, when it is patently not, is a world where warnings about updating your virus scanner because of Chinese cyberwarriors or Russian mafia will be ignored as yet more paranoid security bullshit.
Despite the fact that it probably isn’t.
I’m seeing a classic gestalt-shift thing here.
(You know gestalt shifts? They’re those pictures where you can see two things, but not at the same time. There’s gestalt shift images scattered throughout the post.)
In the past, we had an infrastructure capable of deciding who and what was modern, and what was not. And pretty much all of us benefited from it. The occasional Betjeman got shunted to one side, I guess. But, in exchange, we had all that stuff sifted into convenient piles for us to digest, comfortably.
And now we have an infrastructure where we’re all capable of deciding who and what is modern, and what is not. And pretty much all of us benefit from it.
And, of course, the opposite is true. All of us suffered under the old system too. As we will suffer under the new.
In the past, though, you knew who you were rebelling against, I guess. If you were a poet on the rampage, you could go and burn down Faber or throw brickbats at Eliot.
Like Ben Hammersely, I’m fairly confident who to blame at the moment for the wrongness. Our current generation of leaders are totally and utterly incompetent, when it comes to understanding the current condition of confusion.
This is probably much more comforting than I’d care to imagine. What will I do when they’re dead?
I’m as big a bring-on-the-fucking-future-already cheerleader as anybody, and I’m reasonably adept at using the notation afforded by all this modern stuff, (Modernism is sooo-ooo old-fashioned, and even post-modernism was a mere transition) but, “Evocation needs more than notation [and aesthetic]: it needs impetus.”
It frightens the bejeebus out of me to imagine where the New Impetus™ will come from.
We’ll miss the people who put adjectives into hexagons when they’re gone.
Images: Colonel Sanders looks like a stick figure with a tiny head from Nerd Nirvana, Swimming Bunny from SuperPunch, Einstein-Monroe Condensate by Aude Oliva for New Scientist, Devil’s Advocate from Matt Watts, Indy from Olly Moss, Pittsburgh Zoo from Optical Illusion, Spartan Golf Club from Roger von Oech.
If the expansion was incremental, it still happened awfully fast. In the poetry of Pound, the revolutionary who now looks merely transitional because he was so far outstripped by what he started . . .
via Product Placement in Modern Poetry by Clive James.
Describes a lot of today’s stuff, I guess. The New Schtick is merely transitional.
This is an interview with the editor of Soldier of Fortune magazine.
Participatory Journalism:
When you did have the money to send reporters around the world, what were the magazine’s most ambitious missions — both in terms of the conflict and what the reporters were tasked with doing, beyond reporting.
In a large number of cases, we sent reporters over on what we called “participatory journalism” assignments. We’d carry guns. If we were shot at, we shot back. We didn’t hide behind a log.
Rambo and the Karens:
Probably the most significant thing we did in the last couple years was convincing Sylvester Stallone to focus the theme of his latest Rambo movie on the Burmese oppression of the Karens. When the movie was released, it caused quite a stir, resulting in demonstrations in many cities throughout the world and articles that would never have been published had not the Rambo movie been released.
BAs in literature and war reporting:
There are more and more reporters who have no experience covering war, much less participating in it. The quintessential example is Sarajevo. I can’t blame the reporters for being naive. I blame the editors for sending them over in the first place. They had no point of reference. Are you going to send someone with a BA in literature to interview the mechanic at a nuclear power plant, when they don’t know a piece of wood from a piece of coal? It’s the same thing with conflict reporting. Some of these kids are just dumber than dog shit.
The images come from a comic/magazine called Samandal.
SS:
We were all at Pierre’s apartment when Mubarak stepped down, celebrating. We were kind of talking about alternative media and how it was so important for the revolution to create alternative media. Someone said to us, “Why don’t you just start a newspaper?” We said okay, tonight we celebrate, tomorrow we have a meeting. And the next day we had a meeting and we started working on the newspaper, just like that.
SS:
When it started it was about challenging the law: in order to start a newspaper here you have to get certification from state security. So it was kind of a challenge; freedom of expression was our main goal [. . .] We believe in awareness. Awareness comes through freedom of expression and not the other way around. So Gornal is basically about giving people a tool to express themselves.
SS:
We want to print things we don’t agree with. For example, one of the members of the Muslim Brotherhood is writing something. We want some articles from people who support the military as well, even if we personally don’t believe in the military’s performance in ruling the country. But many of these people don’t want to write.
[Why don’t they want to write?]
I think it’s because the whole newspaper looks like it’s very revolutionary and stuff and so they just don’t want to join in with something like that.
On the role of Twitter and Facebook, SS:
It’s very exaggerated, definitely. They think all we do is tweet. But it’s true that, like five years ago, people would complain about torture and stuff like that and nobody believed them. If you discussed police brutality with people in the streets, there was no awareness about it at all, but when the videos of torture came out on the internet… Things started to change. Maybe it could have happened through another tool, but this is how the change began.
On those too poor and hungry for revolution:
SS:There are two kinds of people who are against Gornal. There are people who benefited from this regime, who benefited from the corruption. Or there are people who are very, very poor, and it’s very hard for them…
HT: During the revolution, they didn’t have food. Prices went up, so that was hard.
SS: I kind of realized that two weeks after the protests. A lot of them are very angry, they say, “You are ruining our lives.”
Asking the military for an interview, SS:
I told him we are working on an independent newspaper and we want to do an interview with Ismail Etman, a member of the military council. And he asked me, “What is the interview about, and with whom?” And I said, “You can just say we are the youth of the revolution, you know, the Facebook people.”
And this is how the interview ends. Soppy git that I am, I cried, a little.
Can we ask you a really stupid question? Did you have a plan of what you wanted to do when you grew up? Before the revolution? And has it changed?
HT: Well, my plan got ruined when I started college. I wanted to major in fashion design, but now I am majoring in journalism because there is no fashion design major. But I don’t think it has changed. I started thinking more politically about everything. My goals became more about the people; people around me at least.
Are you still going to be a fashion designer?
HT: Yes! For the people.
It’s also where I found that excellent Revolution by Design thing about Tricontinental Magazine and urban guerillas.
One of the oddest chapters in the annals of the Cold War was its proxy war by magazine, and the oddest Cold War magazine was undoubtedly Tricontinental. Based in Havana and art-directed by legendary poster designer Alfredo Rostgaard, Tricontinental was the official publication of OSPAAAL, one of the many revolutionary acronyms liberated by Fidel’s triumph in 1959. OSPAAAL stood for Organization in Solidarity with the Peoples of Africa, Asia, and Latin America, and its magazine was available in each of the New World’s great colonial languages: English, French, and Spanish. [. . .]
There were unreadably long lists of tiny victories by innumerable guerrilla organizations: trucks full of ammunition or wheat or concentrated fruit juice liberated from the imperialists; city squares and government buildings gloriously defaced by revolutionary slogans; hopelessly obscure silos, checkpoints, bridges, pipelines, roads, radio towers, and police stations, exploding forgettably in the subtropical night. There were first-person accounts of police corruption and genuinely tender evocations of fallen comrades. In March 1970, a special issue presented the full text of Brazilian Marxist Carlos Marighella’s Minimanual of the Urban Guerrilla, a pragmatic and hair-raisingly detailed program for revolution in the cities of the industrialized world. [. . .]
What made all of this truly strange, however, was Tricontinental’s design. Compared to dismally drab Soviet attempts at cultural propaganda — or the comically guileless efforts of the Chinese — the Cubans had something uncontrivable going for them: it looked like they were having fun. Tricontinental resembled an underground zine from San Francisco more than an information vehicle for Third World liberation, and that juxtaposition had an effect comparable to that moment in Godard’s Sympathy for the Devil when a gang of black nationalists in a municipal junkyard read from a stilted manifesto while necking with white women in abandoned cars. Tricontinental’s covers were deliriously poppy, with bright, eyecatching graphics, making it just the sort of thing Marighella’s urban guerrillas should never be seen carrying in public.
This all comes from Revolution by Design By Babak Radboy | Bidoun Magazine. And I found it via Cartographies of the Absolute.
Here’s a link to the Minimanual of the Urban Guerrilla. It’s fascinating to imagine what Carlos Marighella would have made of the smartphone.
http://moultoncrow.tumblr.com/post/9882030598/the-greatest-photo-of-the-london-riots-this-will (sic)
I ‘liked’ this section. If you’re, like me, prone to the glib, it resounds of Tottenham and #ukriots:
Conventional logistics can be expressed with the formula FFEA:
F—food F—fuel E—equipment A—ammunition
Conventional logistics refer to the maintenance problems for an army or a regular armed force, transported in vehicles, with fixed bases and supply lines. Urban guerrillas, on the contrary, are not an army but small armed groups, intentionally fragmented. They have neither vehicles nor rear areas. Their supply lines are precarious and insufficient, and they have no fixed bases except in the rudimentary sense of a weapons factory within a house. While the goal of conventional logistics is to supply the war needs of the “gorillas” who are used to repress rural and urban rebellion, urban guerrilla logistics aim at sustaining operations and tactics which have nothing in common with conventional warfare and are directed against the government and foreign domination of the country.
For the urban guerrilla, who starts from nothing and who has no support at the beginning, logistics are expressed by the formula MMWAE, which is:
M—mechanization M—money W—weapons A—ammunition E—explosives
Revolutionary logistics takes mechanization as one of its bases. Nevertheless, mechanization is inseperable from the driver. The urban guerrilla driver is as important as the urban guerrilla machine gunner. Without either, the machines do not work, and the automobile, as well as the submachine gun becomes a dead thing. An experienced driver is not made in one day, and apprenticeship must begin early. Every good urban guerrilla must be a driver. As to the vehicles, the urban guerrilla must expropriate what he needs. When he already has resources, the urban guerrilla can combine the expropriation of vehicles with his other methods of acquisition.
Every good urban guerrilla must know how to use a smartphone.
I wasted a bit of time comparing the old and rare images with the stuff that’s common on The Google.
Here’s Asheville, North Carolina in 1902:
And the same time in the present day-ish:
[There used to be an image here. I've removed it due to a DMCA takedown thingy. Basically, imagine the same shot as the one in 1902 but taken a few years ago. The difference between the one I've removed and the one below are fairly minimal.]
It comes up third in a search on The Google.
Not sure why I’m posting it really. Maybe because over a century late they’re still taking pictures from the same spot?
Or perhaps because even the youngest of us is old enough to watch pace layering in action and see in geographical time.
One day, our descendents may be able to see in geological time.
See. In geological time.
This is interesting. What are we going to do with it?
“It’s directed by the same guy who did “Die Hard”.
The late 80s was a time when TV was trying to educate me about film. The web seems to be trying to do the same again.
This comes from 10 Modern Movies That Are Better in Black and White, which, despite its List of N Things, degenerate-case-of-essay title, is aces:
There is, we can all agree, just something about black and white. In his wonderful 1989 essay “Why I Love Black and White,” Roger Ebert wrote: “There are basic aesthetic issues here. Colors have emotional resonance for us… Black and white movies present the deliberate absence of color. This makes them less realistic than color films (for the real world is in color). They are more dreamlike, more pure, composed of shapes and forms and movements and light and shadow. Color films can simply be illuminated. Black and white films have to be lighted. With color, you can throw light in everywhere, and the colors will help the viewer determine one shape from another, and the foreground from the background. With black and white, everything would tend toward a shapeless blur if it were not for meticulous attention to light and shadow, which can actually create a world in which the lighting indicates a hierarchy of moral values.”
Once I picked the movies that we thought would work for this experiment, I realized that trying to just describe them in a standard post wouldn’t work at all. So I’m doing something different with this post: I made a little video for each title, with clips transformed to black and white and commentary explaining why each one was selected.
Here’s the first one:
The rest are cool too — though be careful with the links as Jason Bailey’s inexplicably chosen the spammy nightmare of Megavideo to host some of the clips. (If you click play, you have to shut down the irritating pop-up window and then click play again.) [Update: it's not inexplicable at all - as he explains below, it's a copyright thing.]
In the late 80s, we had the Incredibly Strange Film Show and Moviedrome on the TV. Both shows tried to educate viewers into watching better movies by doing two things; scheduling the movies and/or prefacing them with little appreciation lectures.
I pretty much devoured both the shows and their recommendations. At the time, the seemingly massive, higgledy-piggledy selection in the video store needed taming.
I could reminisce for hours about the shows. But won’t.
Instead, I’d just like to point out I’ve noticed loads of amateur Moviedromes and Incredibly Strange Films Shows springing up, and would just like to register my approval. Here are two examples:
I really enjoyed this video essay, CHAOS CINEMA: The decline and fall of action filmmaking, partly because it reminded my so much of Alex Cox’s startlingly informative introduction to Yojimbo back in 1990 (a sign of good telly — it’s stuck with me for 21 years). Moviedrome taught me how important spatial awareness was in filmmaking, this video essay demonstrates how this skill has been lost:
Chaos Cinema Part 1 from Matthias Stork on Vimeo.
The video essay Chaos Cinema, administered by Indiewire’s journalistic blog PRESS PLAY, examines the extreme aesthetic principles of 21st century action films. These films operate on techniques that, while derived from classical cinema, threaten to shatter the established continuity formula. Chaos reigns in image and sound. Part 1 contrasts traditional action films with chaotic ones and takes a close look at the “sound” track, especially its use in car chases.
Similarly, Rob Ager’s YouTube channel is fabulous. His ‘collate and assimilate’ methodology is the epitome of show-don’t-tell in critical analysis. His take on The Shining is fascinating and explores similar themes to Chaos Cinema, though it’s possibly only for the truly motivated. His analysis of The Thing demonstrates how you need a bit of wabi-sabi goes a long way in creating a true classic:
Following on the theme of spatial awareness in movies, this post (kind of) about Die Hard—”one of the best architectural films of the past 25 years”— called Nakatomi Space at BLDBLOG is splendid.
“This is a scarf I knitted based on a sample of the The Amen Break. I took an image of the waveform of the amen break and converted it into a knitting pattern, which I uploaded onto a hacked knitting machine.”
(via andrewsalomone.com » Blog Archive » The Amen Break Scarf)
I saw this on 14th street at the Jefferson theatre in 6th grade drinking grape soda with my hood friends… I thought it was the greatest thing I had ever seen.
I decided to run all of the images from the Hello Little Fella Flickr group through FaceTracker and record the result. These images induce pareidolia in us, but would they do the same to the machine? Using the Flickr API, I pulled down 681 images from the group. I whipped up an OpenFrameworks app that loaded each image and passed it to FaceTracker for detection, saving an image of the resulting face if it was detected. The result was that FaceTracker detected a face in 50 of the images, or about 7%. (via Machine Pareidolia: Hello Little Fella Meets FaceTracker | Ideas For Dozens)
IMAGE: Detail of Smell Edinburgh by Kate McLean, showing both smell sources and distribution (via Sensory Maps)
A 1975 article from the Tri-City Herald explains that county authorities had no power to block the unorthodox castle’s construction, as it was built for less than $500. (via “Junk Castle” Is Made from $500 Worth of Trash : TreeHugger)
William Turner, The Burning of the Houses of Parliament, 1824
(Sketch above, finished work below)
I've moved to a new site. It's called Hypergogue.
There were loads of reasons for the move. Here they are, in no particular order (hopefully, they'll give a sense of what I'm trying to do at the new blog):
1. I wasn't posting much here. One way to approach this might have been some variant on GTD. My advice for people interested in Getting Things Done is to set aside all that productivity mumbo-jumbo until you're ready to optimise. If you're not doing what you want to do, it's not because you need a new calendar app, but because you have no real clear idea of what you want to do.
2. I failed. I set out to write a blog about learning for non-learning professionals. And by 'non-learning professionals' what I really meant was 'customers'. This blog failed as a marketing tool – although I have made lots of friends and been invited to conferences.
3. Blogger. Meh. If you're even vaguely serious about blogging, host your own Wordpress site.
4. When I started here I was full of enthusiasm for the concept of the rhizome. (Bunchberries and ferns are both rhizomatous plants.) I put this down to mid-life crisis.
These are the things I can put my finger on.
But there were also some things that I became aware that I felt/believed as a direct result of writing this blog. They seemed important enough to me that they needed a visible marker to show that I'd moved on:
5. Many Learning Professionals (and most 'teacher-training' courses, or their variants for trainers) have at their heart a psychological kernel. This, to put it mildly, is a massive distraction from the real business at hand. The real business is cyborgs.
6. That last one is so important, it's probably worth repeating again. The heart of every Learning Professional's trade should be the construction and navigation of performance support systems. All the psychological stuff (as well as the crypto-political theoretical stuff) is a red herring.
7. Learning Professionals are designers first and foremost. There is no workable theory that you can apply in order to produce good learning. There's only design and practice. The idea of a qualified [insert job title of learning prof here] is mostly a fiction of convenience, or a function of economics.
It's true that you can't scale teacher training without a theoretical underpinning. But then you have to grow up and deal with the real world.
8. The Learning Professions are abuzz with all the 'new' stuff that's been happening on the web and in society (with the abuzzness being roughly proportional to how much that particular sector is shielded by regulation and/or tradition).
What's happened so far is as nothing to what will come.
As an example, if you speak to informed Training & Development strategy people they will all say that we're seeing a trend towards 'performance support' and away from learning. Actually, though, trainers have always worked in 'performance support'. Trainers have always known they're there to 'help people learn'. But many of them failed to spot the hidden end of that sentence - trainers help people to learn how to use performance support systems. 'Teachers', by the way, are no different in this respect.
Augmented Reality is just one of the things on the horizon (3D printing is another) that will change the face of the world of work at least as much as the internet.
Most teachers and trainers can't compete with Augmented Reality. Pedagogy is a function of opacity.
9. My predictions about the future of workplace learning will probably be wrong. I've probably been too cautious.
10. Superstar teachers
11. Auto-education
There's probably more. But that'll do.
Hope to see you at the new blog!
One of the book’s examples of a fraught decision is saving for retirement – you have costs now, but don’t see the benefits for years or decades, it’s very difficult to determine what the right amount really will be, and also difficult to wade through all the fund options, tax laws and retirement plans that make little or no sense to the lay person, you probably only make these decisions once a year or so, while you do get feedback in the form of account statements, it’s difficult to interpret that feedback (“Did the account go up because of something I did, or is it just the state of the market?”), and unless you are a professional or a retirement account wonk, you aren’t like to have innate likes or dislikes to guide you (“You know, I just really like the feel of no-load mutual funds.”).It's a great post (as usual) and if you're involved in any kind of LXD or Instructional Design you should click through.
With this framework, people can refer to specific behaviors like a "PurpleSpan Behavior" or a "GrayPath Behavior." For example one might say, "The Google Power meter focuses on a GrayPath behavior." My new terms give precision.
But this innovation goes beyond identifying the 15 types of behavior change and giving them clear names. I also propose that each behavior type has its own psychology. And this has practical value: Once you know how to achieve a GrayPath Behavior, you can use a similar strategy to achieve other GrayPath Behaviors (for example, getting people to watch less TV). In this way, the Behavior Grid can help designers and researchers work more effectively.
Failure looms for programmed instruction projects in which there is inadequate consideration of maintenance systems. What happens to the trainee after training via programmed instruction is at least as important to job performance as the training itself. . .
If a system is to maintain a behavior it must do four things: (1) allow the behavior to occur with sufficient frequency; (2) not punish it; (3) reinforce it; and (4) not reinforce behaviors which conflict with it. . .
Analyze any problem you face to see whether it stems from a deficiency in main-tenance or from a deficiency in acquisition. . .
Analyze and restructure, as necessary, the job environment in which employees are to use the skills trained. If this is not done, programs can fail for lack of job support. In designing your program, keep in mind that programmed instruction is a means of acquisition and, as such, only the first part of a behavior change system. Without maintenance acquisition is temporary.BJ Fogg's grid is an incremental step forward for thinking about behaviour change in a systematic way. But, as this paper from 1967 observes, if there's no communication between the 'learning function' and the 'doing function' then all efforts will go to waste.
"You're not renting a desk, you're renting your neighbours and a community."People like social objects, such as:
"The chess board. Someone comes over to the chess board and four of us can work with a puzzle. It's a way to bond with people and make connections. It's a catalyst for creating relationships and conversations."
"The goal was to determine the exclusive coffee of Indy Hall, but three weeks later no winner had been decided. Why? It’s not important. Psychologically speaking, it simply served as an effective way to get people together to talk, bond and possibly collaborate. Sounds silly? One member had this to say about coffee time at Indy “Just the ideas that developed over coffee was amazing.”
"When you create management for the sake of it, there's no way you're not overmanaging. So don't. Try and find ways to help things manage themselves."Some observations from me:
“At Indy Hall, unlike the corporate world, if you’re working with someone on a project and it doesn’t work out, you don’t have to work with them on the next one. In the corporate world, you’re stuck with that person and the relationship will get worse and you’ll get less productive.”As somebody once said (I can't remember where, possibly in meatspace, it may even have been me), "You can often discover all of an organisation's mistakes by reading their HR and policy manuals." We tend to idolise our mistakes.
. . .nor will you be given a tutorial on the sophisticated printer–because there isn’t one. The most high-tech items available are the coffee machine and the dishwasher.
As mentioned, upon analysis of the workshop, most intriguing to us was what we learned from the group. We leaned how to categorize the interests. Specifically, definite requirements are Essentials, those that need serious consideration are Differentiators, whereas unique interests open for discussion are Exciters.
Essentials: These are the items that most participants agree on. Because they are represented by majority decision, these items are essential to the work-task and cannot be ignored or down played. Interestingly, while these items are seen as essentials, they can be put aside to focus on the next level interests.
Differentiators: These are the interests that are common to, but not shared by everyone in the group. For example, if an issue is of interest to only 30% of the group it is not essential yet it can also not be ignored. These differentiators should be discussed and related to other interests that share a similar point of view. This can often lead them to be part of a majority interest.
Exciters: These are the individual interests developed via the D.I.Y cards. These are individual interests that are created by single group members to express personal interests not represented by the provided topics. Because of their originality, exciters can be the topics of innovative discussion. These are unique, desired and therefore open to exciting development and creative solutions.
"Visualisation would help me overcome roadblocks that verbal communication cannot."But the Humantics authors are hard-headed clear about the reasons behind their tools and approach; it reduces cognitive load.
“solving a problem simply means representing it so as to make the solution transparent.”One way to make a solution transparent is to reduce cognitive load.
“Abstraction is hiding detail. Good abstraction is hiding the right detail”2
Above all, Echo Bazaar is a game for exploration. There’s no need to know every detail and no rulebook you have to flick through. If you make the wrong decision, then at worst, you’ve wasted actions and you’ll always get more of those.For exploration, read 'confusion', it seems. Is this bad design?
. . . imagine a player that didn’t realize that you need to push the button on the joystick in order to do something.1 Such an example may seem ludicrous, but it is one faced by many non-gamers whenever they are faced with a freakishly complex modern controller. Many game designs automatically assume the ability to navigate a 3D space using two fiddly little analog sticks and a plethora of obscure buttons. Users without this skill give up in frustration without ever seeing the vast majority of the content. . .
It is very important to realize that such users aren’t stupid. They merely have a different initial skill set. One of our jobs as designers is to ensure that the people who play our game are able to master the game’s early skill atoms. Ultimately this means making an accurate list of pre-existing skills for the target demographic . . .
The Chemistry of Game Design2
An inaccurate mental model of how learning works will lead to counterproductive study decisions, and students whose model incorporates a stability bias—that is, an underestimation of their potential to learn and an overemphasis their current memory state—become susceptible not only to studying too little and giving up too quickly, but also to lowering, and/or failing to realize, their aspirations.And, I'd argue, it's not just learners who suffer from Stability Bias. Learning Designers who seek to remove the gristle from learning and focus only on providing an interface that requires little or no "learning overhead" are short-sighted. As Findability expert Peter Morville points out, the most poweful route to a Teachable Moment is: Break a pat tern.3
From their perspective, even the joypad is daunting. To you it's as warm and familiar as a third hand. To them it's the control panel for an alien helicopter.
But you persevere, press the pad into their unenthusiastic hands, and offer to talk them through a few minutes of play. And almost immediately you have to bite your tongue to avoid screaming. They run into walls or hit pause by mistake. They swing the camera around until they can see nothing but their own feet, then forward-roll under a lorry. They try to put the controller down, complaining that they're "no good at this". You force them to have another go, but within minutes you're behaving like a bad backseat driver.2The Chemistry of Game Design is a great read for anybody interested in games and learning. There are striking parallels between games and Instructional Design.
The future isn't about 3D, it's about totally mmersive environments. We've all been spoiled by Snow Crash.On the iPad:
The world changes on April 3rd. People have had the choice of where they want to work – the office or the factory. But people don't want to work in offices, they want to work anywhere.On games as art:
There is an opportunity for gaming to become the/a defining art of the 21st Century. At the moment, people are still confused about the impact of games because of the different levels of adoption. There's always a danger that we don't give them the seriousness that they deserve. Teachers only know “broadcast” so how do they respond when a kid says they want to be a games designer? The status of games are low – there's cinema and then there's TV and somewhere below that there are games. Why is that?On engaging people in science:
Engaging people in STEM is difficult and our Victorian teaching methods have resulted in a generation who only want to go on X-Factor. Why don't we take this seriously?On educational games:
Don't ever start to make educational games; they will fail. There are nuns in Milan teaching RE with Grand Theft Auto 4. That's what we should be doing, making more use of COTS games. Nintendogs is being used in all kinds of ways in Scotland pulling in things from right across the curriculum.On education and technology:
The technology is technoguano; the same teaching methods but with technology on top – then we blame kids' behaviour on ADHD and treat it with ritalin.On the problem of games teaching 'content':
Constructivism is hard in a 1:30 environment. But when people are constantly connected, they can do a lot more. Gaming is an inception point: a place to jump off from and motivate people to learn.On learning from different sectors;
#gbl10 is not just about schools. We want to bring people together - people from different sectors don't spend enough time together. At Reboot Britain, I spoke to an HR director from [a major multinational] who said they were completely changed by the experience of hearing from some primary school teachers (note: they're speaking at #gbl10 too, so I'll let you know how that goes).On eLearning and corporations:
Godawful eLearning is so tedious and it doesn't deliver. But business needs ROI and nobody's proved game-based learning works yet. The corporate world needs to look at their intake (male and female, as we now know that girls play more than boys). The new intake will affect business processes which will affect how we offer 'learning' at work.
Business processes are informed by media. This 'new' medium and game mechanics will inform business processes. Therefore corporations will have to take notice.On mobile learning:
When did learning stop being mobile? Why do schools have to be a building in an age of ubiquitous connectivity?So, that's what Graham has to say and some of the themes people will be talking about at #gbl10.
"Why are Yahoo! and MSN such complex-looking places? Because their systems are easier to use. Not because they are complex, but because they simplify the life of their users by letting them see their choices on the home page: news, alternative searches, other items of interest. . ."(There's loads of stuff written about Twitter. Here's some recent stats showing around 80% of users have fewer than 100 followers and/or followees, for instance. But this post isn't about Twitter except as an example of Social Media so I'm leaving Twitter observations to this: read The Complexity of Simplicity which got me thinking about all this and provided most of the links and quotes for this post. Every time I use the word 'Twitter', it's interchangeable with other examples of Social Media. Twitter's just my favourite.)
"An example . . . is the search experience on Google. Though often cited as an example of a simple design, Google search was actually built for expert users. According to Product VP Marissa Mayer:
“Novice users will enter ‘tell me when it will snow in NY today’ and get no valuable results. Soon thereafter, they will end up typing ‘weather new york’ and see that the results are more valuable. Voila! An expert user. The learning curve in search is steep, but quick.”
Enabling this experience, however, requires all the computational power that an engineering powerhouse like Google can muster. Not all companies have such capabilities."Twitter does - it's us (or, more likely, you). And it's this powerhouse that opens up learning possibilities through progressive disclosure.
Note that I didn't mention a written report. I've come to the conclusion that very few of my clients actually derive much benefit from having one, and a) they take a long time to write, and b) writing is really hard work, so I try to avoid it if at all possible. If a client absolutely needs a “big honking report” so they have something to show to the person who's signing the check, I can do one, but it's likely to double the price.So how does Steve Krug report back to clients? A 'series of long conference calls'. And, if you think about it, this makes sense. Conversation's a good example of The Complexity of Simplicity. And conversation epitomises gradual engagement/progressive disclosure. Importantly, conversation's also hard work - there's little chance of burying your irreducible complexity in a "big honking report" in a conference call.
Dumbfounded citizens from Maine to California gazed helplessly at the frightening chunk of print, unsure of what to do next. Without an illustration, chart, or embedded YouTube video to ease them in, millions were frozen in place, terrified by the sight of one long, unbroken string of English words.
"Why won't it just tell me what it's about?" said Boston resident Charlyne Thomson, who was bombarded with the overwhelming mass of black text late Monday afternoon. "There are no bullet points, no highlighted parts. I've looked everywhere—there's nothing here but words."
"Ow," Thomson added after reading the first and last lines in an attempt to get the gist of whatever the article, review, or possibly recipe was about.From: Nation Shudders At Large Block Of Uninterrupted Text on The Onion / via Mark Changizi
| 6:26 PM Mar 9th | iOPT | Screencasts in software training allow the learners to learn faster and more accurately in the short term; however … |
| 6:26 PM Mar 9th | iOPT | learners using text based training were faster and more accurate in the long term. |
| 6:27 PM Mar 9th | iOPT | Generally speaking, learning that requires more of a learner leads to poor immediate performance but good long term performance. |
| 6:29 PM Mar 9th | usablelearning | RT @iOPT Generally speaking, learning that requires more of a learner leads to poor immediate performance but good long term performance. |
| 8:22 PM Mar 9th | iOPT | @BFchirpy @usablelearning Tweets based on series of research - viewing seems to be more passive than when you have to read and process. |
| 8:25 PM Mar 9th | iOPT | @BFchirpy @usablelearning Passive works best for short term performance - you mimic what you see, but doesn't stick in the long term |
| 8:26 PM Mar 9th | BFchirpy | @iOPT Makes perfect sense to me. Been working on my theory of the half-baked for a while now... http://bit.ly/cuuS6H Reading = add an egg |
| 8:27 PM Mar 9th | usablelearning | @iOPT @bfchirpy Very interesting (makes sense to me, provided that they actually do read). Worry about infantalising learners. Reference? |
| 8:32 PM Mar 9th | iOPT | @usablelearning @bfchirpy "Lessons for a Rapidly Changing Workforce" by two psychologists - Quinones & Ehrenstein -highly recommended |
| 8:36 PM Mar 9th | iOPT | @usablelearning @bfchirpy Will they read? Learners prefer the easy way. That's whats wrong w/ level 1 Evals - they pick the easy way out. |
| 8:36 PM Mar 9th | BFchirpy | @iOPT Is it fair to summarise: increasing extraneous cognitive load to learning materials can increase long-term performance improvement? |
| 8:40 PM Mar 9th | iOPT | @BFchirpy That sounds right to me! |
| 8:40 PM Mar 9th | usablelearning | @BFchirpy hmm, is increased extraneous cog load the independent variable, or is it level of effort in acquiring more the point? /@iOPT |
| 8:40 PM Mar 9th | BFchirpy | @iOPT @usablelearning Laser-like focus on Learning Objectives, minimal cognitive load = deferral of complexity? |
| 8:42 PM Mar 9th | BFchirpy | @usablelearning Good call. Not sure how to separate extraneous from the metacognitive - though I've previously thought that obvious. Hmmm / @iOPT |
| 8:43 PM Mar 9th | usablelearning | @iOPT @bfchirpy too often there isn't really a good reason to read it, so learners don't #notstupid |
| 8:44 PM Mar 9th | BFchirpy | @usablelearning @iOPT Did you both read the piece on 'stability bias'? Learners overestimate memory-power and underestimate value of study. |
| 8:47 PM Mar 9th | BFchirpy | Stability bias = people don't rate value of study/effort in learning http://bit.ly/bF0Cno [PDF] @usablelearning @iOPT @flowchainsensei |
| 8:49 PM Mar 9th | usablelearning | @BFchirpy @iOPT yep -- I think that relates > more effort requiring more brain activity creating longer lasting effects |
| 8:50 PM Mar 9th | BFchirpy | @usablelearning @iOPT We often forget that the primary function of the brain is to *prevent* thinking.* |
| *Kathy Sierra put this much much better when she said, “Brains pay attention to what brains care about, not necessarily what the conscious mind cares about.” |
". . .came up with the Law of Conservation of Complexity. I postulated that every application must have an inherent amount of irreducible complexity. The only question is who will have to deal with it.
Because computers back then were small, slow and expensive, programs were designed to be compact, not easy to use. The user had to deal with complexity because the programmer couldn't. But commercial software is written once and used millions of times. If a million users each waste a minute a day dealing with complexity that an engineer could have eliminated in a week by making the software a little more complex, you are penalizing the user to make the engineer's job easier."I'm guessing that learning's the same. People who design learning-at-work programmes based on slavish Cognitive Load principles probably believe they're shouldering the responsibility for the 'irreducible complexity' of learning. I'm working hard on this design so you don't have to think! But by increasing the 'usability' of their learning materials, they could merely be postponing the hard work of learning.
Don't you get it? I don't pay for the *!%&$*ing seat! I pay you for a quick and painless journey to get to where I want to go! You should be paying me!Harvard Business Press are similarly awe-inspiring. One way to look at their books might be through a DIKW lens. The Data-Information-Knowledge-Wisdom model isn't perfect but it does give a sense of some of the possible reasons for reading the book I've just finished - 260 pages which,
". . . will show why you must begin building a game strategy now - and offer practical guidelines. . ."Data and Information
"Reading another book that would work better as a slide-deck and a blog. . .
The aim of marketing is to make selling superfluous.
Ecollab ask the question for their second blog carnival:
Informal learning - can we formalise it? Should we? How much? How?
The real problem with the DIKW pyramid is that it's a pyramid. The image that knowledge (much less wisdom) results from applying finer-grained filters at each level, paints the wrong picture. That view is natural to the Information Age which has been all about filtering noise, reducing the flow to what is clean, clear and manageable. Knowledge is more creative, messier, harder won, and far more discontinuous.Real life is messier and more discontinuous. Bloom's Taxonomy has remarkably similar problems to the DIKW hierarchy. We produce abstract models as tools to think with and to act as social objects when we talk to one another. This fact gets lost.
"Jim Groom, an instructional technologist at the University of Mary Washington, expressed weariness with all the hype around the Apple announcement. He said he is concerned about Apple's policies of requiring all applications to be approved by the company before being allowed in its store, just as it does with the iPhone. And he said that Apple's strategy is to make the Web more commercial, rather than an open frontier. "It offers a real threat to the Web," he said."Steve Jobs has said that Apple is a company that "stands at the intersection of Technology and the Liberal Arts." But it's more accurate to say that Apple stand at the intersection of Technology and the art of entertainment.
"Documentaries in particular are property of a special kind. The copyright and contract claims that burden these compilations of creativity are impossibly complex. The reason is not hard to see. A part of it is the ordinary complexity of copyright in any film. A film is made up of many different creative elements--music, plot, characters, images, and so on. Once the film is made, any effort at remaking it--moving it to DVD, for example--could require clearing permissions for each of these original elements. But documentaries add another layer of complexity to this already healthy thicket, as they typically also include quotations, in the sense of film clips. So just as a book about Franklin Delano Roosevelt by Jonathan Alter might have quotes from famous people talking about its subject, a film about civil rights produced in the 1960s would include quotations--clips from news stations--from famous people of the time talking about the issue of the day."Education News
"I know there will be many who have already taken one look and pronounced it to be nothing but a large iPhone and something of a disappointment. I have heard these voices before. In June 2007 when the iPhone was launched I collected a long list of “not impressed”, “meh”, “big deal”, “style over substance”, “it’s all hype”, “my HTC TyTN can do more”, “what a disappointment”, “majorly underwhelmed” and similar reactions. They can hug to themselves the excuse that the first release of iPhone was 2G, closed to developers and without GPS, cut and paste and many other features that have since been incorporated. Neither they, nor I, nor anyone, predicted the “game-changing” effect the phone would so rapidly have as it evolved into a 3G, third-party app rich, compass and GPS enabled market leader. Even if it had proved a commercial and business disaster instead of an astounding success, iPhone would remain the most significant release of its generation because of its effect on the smartphone habitat. Does anybody seriously believe that Android, Nokia, Samsung, Palm, BlackBerry and a dozen others would since have produced the product line they have without the 100,000 volt taser shot up the jacksie that the iPhone delivered to the entire market?"
"It was not always like this. There was a time just a few months ago when I did not have google wave. I think of that time with horror - because that epoch was marked with conflicts, total chaos, money was being lost every day, fights were happening between me and my collaborators. Google Wave came in, and within a couple of weeks, a heavenly peace had descended on my business."I know this is a learning blog, but you will never convince me that structured massive fights aren't a positive learning environment. Especially when mixed with periods of heavenly peace.
"First of all, the pace at which doctors are using smartphones as part of their practice (and especially iPhone/iPod Touch) is accelerating dramatically, as is uptake/usage of the applications. Younger doctors especially will not want to practice untethered medicine.
Second, we are now at a place where the convergence of form factor, power, connectivity, affordability, and functionality argue for widespread adoption. An iPhone screen is pretty small. A laptop is inconvenient. An iPad which can be used for data lookup, data entry, point-of-need multimedia education and reference, and access to electronic health records – what’s not to like?"And there's the meh-sayers like Learning Solutions Magazine saying that it's more of the same:
"Although there were no life-changing features in the iPad . . . because of the bigger display, it is potentially a better platform for mobile learning than the iPhone or the iPod Touch, although the iPad (like the iPod and iPhone) does not support Flash.
. . . e-Learning creators can use the Developers Kit to whip up well-designed, interactive content, including educational games and simulations, that take advantage of the larger screen real estate, the multi-touch display, and the accelerometer in all models. The 3G models will also be capable of supporting location-based learning. Given a connection to the Internet via WiFi or 3G, social networking from the iPad should be a breeze. This is all good for asynchronous e-Learning.
Synchronous e-Learning on the iPad as shown today presents some problems. . ."
It's cheap and it's got good text-entry UI. It's sit-roundable. That's the last barriers to Mobile Learning down. #TKOWhat do you think? Have I fallen for the hype and entered Steve Jobs reality-distortion field?
It’s not about having access to the information; all my students have Internet access at least some of the time. Too many (N > 0) of my students are just not in the habit of looking for information when they get stuck, like someone forgot to tell them that the Internet is good for more than just email and Facebook.How did they get this way? I would suggest that they didn't. We did. We taught them that learning is timetabled and planned. We taught them that learning happens in order.
You can't stop it.If you're involved in managing an organisation (or lecture in a university), you're choice isn't between just-in-time learning or meticulously scheduled timetable of theoretically sound learning interventions.
. . . the thing that we all do at some point: talk expertly about something we don't actually know anything about. It's so common, explains This American Life contributing editor Nancy Updike, that some friends of hers invented an imaginary magazine devoted to such blathering. It's called "Modern Jackass."So goes the introduction to an episode of This American Life, unquestionably the greatest radio show/podcast on the planet. (Disagree? I'd like to hear your suggestions in the comments!)
Perhaps when people find themselves in the situation of accidentally becoming an instructional designer, they should back off. They should refuse to design instruction without proper training! (rather than jump into unknown territory with both feet).He reasons that training is necessary because:
. . . instructional designers are required to make content scalable to large numbers of people and to make the material more "digestible" by applying instructional strategies to aid retention, reinforce transfer and assist in recall.Scalability
Students need to know how to approach and problem solve messy problems.
Good questions should have information missing, so students can learn to figure out what else they need to know.
Intuition can be an excellent tool in the problem-solving toolbox, if you can learn how use it well.
These problems don’t necessarily have a single, tidy, correct answer.
So, here's New Year's resolution No. 1 - make this blog less texty.If you want to see what this might look like, jump down to the end of the post for details.
It's only 'collaborative' if people can add to AND take away from the work. Commenting is mere eLaboration.I searched everywhere and failed to find a way to embed a wiki into a blog post. But I did find how to embed a Google Wave. I can think of loads of cool things to do with this - and I'll go into that in future posts - Slow Motion GMT-friendly #lrnchat anybody? But for now, here's me asking you to help me out with my texty problem. There's a link to a How To article embedded in the Wave and here. If you're still not sure after reading it, drop a comment and I'll stick up some screenshots or something. If I can do it, I'm pretty sure anybody can :).
trainers, parents, managers, lecturers, professors, business entertainers, gurus, actors, newsreaders, journalists, writers, bloggers, webmasters, teachers, coaches, mentors, colleagues, every single person on the planetSome people seem to think teaching should be a bit like this:
Skill levels form a continuum from beginner to expert; it's not a dichotomy. Every time you learn something, your performance improves. Usability and cooking are particularly suited for continuing education, because anything you learn will remain useful for many years to come. This is why I place so much emphasis on usability training: you get better results for every extra bit you learn.I feel the same way about teaching and I would add it to the pot along with usability and cooking. Everybody should be doing it. (And almost nobody should be doing only it and nothing else.)
The true choice is not between discount and deluxe usability engineering. If that were the choice, I would agree that the deluxe approach would bring better results. The true choice, however, is between doing something and doing nothing. Perfection is not an option. My choice is to do something!(I'm not even sure that this is true. I'm not even sure that the 'deluxe' approach would bring better results.)
It's the end of the year and I've got two more blog posts in me. This one and a brief Happy Christmas tomorrow, just in case there are people still at work in need of something with a sugary spurious Learning & Development-based centre. It's traditional towards the end of the year to look backwards, so that's what I'm going to do in this post.
Knowledge managers should lead by example when it comes to finding creative solutions to practical problems. The first step along this path is to question our premises. When we fail to do this, we pursue outdated goals and methods, thereby relegating our KM programs to an increasingly irrelevant position within the firm.It's a cliche. But you have to ask yourself what you want to achieve. Search the web and you'll find guides to looking for the perfect Learning Management System or intranet solution. But these are often clunky and bloated. And the smaller, neater solutions are limiting. The limited feature-set of something like the 37signals software apps is elegant and perfect for administrivia. I tried Backpack with the team I mentioned above and they liked it, but only as a replacement for Outlook.
If the local bank were offering a sale on dollar bills, ninety cents each, how many would you buy?Knowledge Management systems are no different. When I was looking into sorting out the mess in the situation above, I didn't have a budget, initially. What I was supposed to do was to negotiate with the IT Manager and 'make my case' for a piece of his budget. Which plainly wouldn't have worked as his budget was tied up maintaining rooms full of largely redundant servers.
Most rational people would say, "I'll take them all please." Especially if you had thirty days to pay for them.
So, why, precisely, do you have an ad budget?
If your ads work, if you can measure them and they return more profit than they cost, why not keep buying them until they stop working?
And if they don't work, why are you running them?